We are thrilled that you are interested in joining us on this exciting developmental journey for BROOKLYN’S BRIDGE! For more information on the journey of this show so far, please visit: https://brooklynbridgemusical.com

We are hoping to cast this musical from the self-tape submissions, so please be sure to tape the FULL material requested for your role(s).

Please tape the following:

-SLATE: Name, Height, Location

-SONG CUTS: The song cuts included for your role. MP3s and sheet music are provided.

-SCENE SIDES: The scene sides included for your role.

-DANCE or MOVEMENT reel/clip.

-YOUR OWN SONG CUT - A cut of a song that demonstrates what you do best or your Vocal Reel.

Material can be accessed by clicking on the link for your requested Role(s) below:

EMILY (CLICK HERE TO ACCESS MATERIAL)

FARRINGTON (CLICK HERE TO ACCESS MATERIAL)

KINGSELY (CLICK HERE TO ACCESS MATERIAL)

NAST (CLICK HERE TO ACCESS MATERIAL)

TWEED/LOW (CLICK HERE TO ACCESS MATERIAL)

WASHINGTON (CLICK HERE TO ACCESS MATERIAL)

O’MALLEY (CLICK HERE TO ACCESS MATERIAL)

MEYERS (CLICK HERE TO ACCESS MATERIAL)

FOREMAN (CLICK HERE TO ACCESS MATERIAL)

FOR ENSEMBLE MOVERS & DANCERS - Please tape a song of your own in the style of the show that demonstrates range. Also include a dance or movement reel/clip.

ACCESS THE FULL SCRIPT BY CLICKING HERE

The deadline to submit your tape is Monday, June 29th, 2026 by 3pm EST. I truly cannot extend the deadline for this one OR accept tapes via email after the deadline. Please do your best to get your tapes in on time!

If you have any further questions, don’t hesitate to reach out to me - hdbauditions@gmail.com.

BROOKLYN’S BRIDGE – A NEW MUSICAL – NON-UNION
NYC Developmental Production

Venue: The Space at Irondale, Brooklyn NY
Producer: Michael Simon Hall
Director: Ray Roderick
Music Supervisor: Joseph Baker
Choreographer: Kelli Barclay
Music: Joseph Baker
Book and Lyrics: Ray Roderick
Casting Director: Holly Buczek, HDB Casting

Pay: $2000 Stipend
Rehearsals: Beginning July 20th, 2026 – daytime
Performances: August 7th – August 23rd, 2026 – Weekends only - Thursday Evening, Friday Evening, Saturday Matinee & Evening, Sunday Matinee  *Possible added performance - Wednesday Matinee
Up to 16 total performances
Auditions: Self-tape initial by 6/26
Callbacks: TBD as needed

Brooklyn’s Bridge is inspired by the extraordinary life of Emily Roebling, wife of Brooklyn Bridge Chief Engineer Washington Roebling. While working in the caissons under the east river, Washington had a debilitating attack of "the bends" and became bedridden. For the next eleven years, only Emily was seen on the worksite, delivering plans, handling both engineering and political issues. The New York Times recently revised their obituary acknowledging that, SHE built the bridge. And as the Brooklyn Bridge grows stronger, foundations to towers, cables to roadway…so does their love for one another, as Emily navigates the uncharted waters; a Victorian woman in a man’s world.

This developmental production comes on the heels of a successful production at the Dr Phillips Center for the Performing Arts in Orlando, FL.

The team of BROOKLYN’S BRIDGE is committed to diversity in casting and encourages performers of all genders, gender presentations, ethnicities, abilities, and backgrounds to submit for these roles. When a gender is included in a character description, it refers only to the gender identity and/or presentation of that character as scripted by the writer and not that of the performer.

This is a NY local project – producer cannot provide housing for the duration of the rehearsals or production.

SEEKING NON-UNION ONLY FOR:

EMILY WARREN ROEBLING: (Female-presenting, 25s–35s) Wife of Washington Roebling and the unlikely hero behind the completion of the Brooklyn Bridge. Intelligent, fiercely determined, compassionate, and resilient. Emily evolves from a supportive spouse into a pioneering leader, navigating societal expectations while assuming unprecedented responsibility. Must possess strong dramatic instincts, warmth, authority, and excellent vocal mix ability . Strong Mezzo-Soprano / Soprano/with a belt mix A3-A5

WASHINGTON ROEBLING: (Male-presenting, 25s–35s) Chief Engineer of the Brooklyn Bridge and son of its original designer. Brilliant, ambitious, and deeply devoted to his work. Following a debilitating illness, he struggles with physical limitations while relying on Emily to carry forward his vision. Requires emotional depth, vulnerability, and a commanding presence. Baritone / Tenor A2-A4

E.F. FRANK FARRINGTON: (Male-presenting, 25s–40s) A mechanic who works closely on the bridge project. Practical, intelligent, and dedicated. Baritone A2-G4

WILLIAM “BOSS” TWEED/SETH LOW: (Male-presenting, 30s–60s) Male-presenting, 30s–60s. Any ethnicity. A featured character track portraying two influential figures from New York's political landscape during the era of the Brooklyn Bridge's construction. Boss Tweed is the notorious political powerbroker of Tammany Hall, he is charismatic, shrewd, larger than life, and accustomed to wielding influence behind the scenes. Seth Low, the reform-minded civic leader and future mayor, he represents integrity, progress, and public service. Intelligent, articulate, and principled, he serves as a counterpoint to the political machine that shaped New York City. Baritone C3-F4

WILLIAM C KINGSLEY: (Male-presenting, 30s–60s) President of the Brooklyn Bridge Company and a key advocate for the bridge's completion. A respected businessman and civic leader, Kingsley is practical, persuasive, and deeply invested in the project's success. He often serves as a stabilizing force amid political pressures, financial challenges, and public scrutiny. Baritone.C3-F4

THOMAS NAST: (Male or Female-presenting, 30s–60s) Celebrated political cartoonist and social commentator whose artwork helped expose corruption and shape public opinion. Intelligent, observant, and quick-witted, Nast serves as both commentator and conscience, using satire to challenge powerful interests. Singing a Plus, Not a Requirement – Baritone or Alto

O’MALLEY/ENSEMBLE: (Male-presenting, 20s-30s) Immigrant worker. Ensemble feature with strong, high Irish Tenor – Tenor 1 C3-C5

JOHN MEYERS/ENSEMBLE: (Male-presenting, 20s-30s) Immigrant worker. Ensemble feature – Tenor 2 A2-A4

FOREMAN/ENSEMBLE: (Male-presenting, 20s-30s) Ensemble feature with Rock Baritone Solo – Baritone G2-A4

ENSEMBLE – SINGER/DANCERS: (All genders, ages 18+) A versatile company portraying laborers, immigrants, politicians, journalists, New Yorkers, family members, and community members whose lives intersect with the building of the Brooklyn Bridge. Strong singers and movers required. Featured ensemble roles may include engineers, workers, socialites, and members of Victorian-era New York society. Strong Dancers. All vocal ranges.  2 Women Altos F3-C5   2 tenors C3-C5 1 Baritone G2 -A4 1 Bass  C2-F4

ENSEMBLE – SINGER/MOVERS: (All genders, ages 18+) A versatile company portraying laborers, immigrants, politicians, journalists, New Yorkers, family members, and community members whose lives intersect with the building of the Brooklyn Bridge. Strong singers and movers required. Featured ensemble roles may include engineers, workers, socialites, and members of Victorian-era New York society. Strong Movers. All vocal ranges.  2 Women Altos F3-C5   2 tenors C3-C5 1 Baritone G2 -G4 1 Bass  C2-F4